Gillian as the lady in red laughing in a very posh way with the title text overlaid

Tips for Making Memorable Characters for Solo Performances

I’ve discussed solo dance performances in this blog before, focusing on how they work and the stories we can tell. Today, however, we’re looking more generally at characters in solo performances, whether it be dance, theatre, mime, film, or other performing arts. This is applicable for all kinds of situations, from creating or choosing monologues…

Gillian covered in many layers of clothes and dragging a bag with the title in text overlaid

How to Think of Stories for Dance Performance

Have you ever been to a dance performance and left thinking, what was that all about? You aren’t alone – I’ve seen a lot of performances that are almost stubbornly obtuse. Sometimes that’s deliberate: the whole philosophy of post modern and contemporary dance was all about creating movement for movement’s sake. NO meaning should be…

A person with attitude and strength with the words "how to use movement to build characters for stage and screen"

How to Use Movement to Build Characters for Stage and Screen

When you are building characters for the stage or the screen, movement is hugely important. It’s probably more important for stage as the screen is more focused on the face and tighter frames, but nonetheless understanding how movement works for characters is a great skill to have for any actor. I also think it’s important…